Throbbing Instants of Meeting  

A part for the world, a discourse that doesn't shout words in decomposed signs, but it mentions, points out, caresses fast as voice that whispers. It is expression of feelings, emotions, even underlined by indications to the materiality, almost that the artist went to look for sections, traces, to read in herself moments of hidden introspection. And not only: also an invitation to look at oneselfin the expressive concepts and to feel its palpable quiver.  
On all a feeling of lightness is abandoned, of agile lightness. Accompanied, at the same time, from the speed of the graphic sign, from the decision to trace an oval, a cluster, a road, accented even in a kind of sign-echo. Light as to agility of fruition, of composition in which a select chromatic run and the use of selected signs are privileged .  
As light but strong as for sign that captures the attention that engraves emotions, throbbing instants of a discourse. Works on cloths, on papers that try the touch, that invite only not to a fruition visual but to physical meetings with the work.  

The Lesa knows the fatigue and the meaningfulness of the homo viator, the pilgrim of the soul, he who from one state to another must always walk, from one way of being to another is still forced to proceed; the concept of the road, of Calvary from which every man (and here is an important intuition of the artist) must also come down again, carrying on his shoulders the pain of his, of the neighbor, of the whole of humanity. In these paintings the decisive sign has the predominance over color, shaded, lively in the ambiguous red for its symbolic value love-pain, but also the son of the ability to engrave with precision and cleanliness, a gift before the Lesa, who knows how to transfer it to the paintings mixed media.

Framed and hung here is the same earth, the primordial element, tamed, sectioned with the scalpel of the art and presented with its gloomy colors.
The painter does not leave us swallowed up, lost among her introspections, she shows us the matter, the base, the foundation - the earth - and then with decisive moves she intervenes making it accessible, dissecting it, digging it, drilling it, looking for the source of germination to be able to  love.